Sprememba spremembe

“Politics is not the mere changing of conditions, as though it were possible to isolate them and abstract from them so as to obtain a purchase on them, but it is change within change, or the differentiation of change, which means that the meaning of history is established only in the present.”
“/…/ misliti spreminjanje zgodovinskih institucij (ali bolje: ‘spremembo spremembe’, torej alternativo neposredno opazljivim spremembam) na podlagi razmerja sil, ki so jim imanentne, in sicer ne retrospektivno, temveč predvsem prospektivno ali, če hočete, konjenkturno.”
Étienne Balibar

Parlamentarnih volitev leta 1996 se stranka SDS udeleži s sloganom Čas je za spremembe. Nedolgo zatem Branko Đurić – Đuro in Branko Šturbej zaigrata v predstavi, katere naslov se bere kot parafraza.

Mine 15 let. Čas za spermembo doživi več kot 500 ponovitev. Đurić je eden izmed 26 znanih likov, ki Jankovića pozovejo, naj kandidira na parlamentarnih volitvah leta 2011.

Branko Šturbej sedi v prvi vrsti predvolilne konvencije Pozitivne Slovenije, na kateri ima tudi govor.

Zadnja leta je Šturbejeva zamenjava v predstavi Jernej Kuntner.

Ravno Kuntner aka Mercatori je tisti, ki prebere govor na proslavi ob letošnjem dnevu državnosti.

Uvajamo še dve figuri. Pero Lovšin ob odprtju Kina Šiška leta 2009 označi Zorana Jankovića: “Končno župan, ki šteka rokenrol.”

Milan Zver se junija letos udeleži Lovšinovega koncerta in na twitterju izpostavi njegove državotvorne zasluge.

18. oktobra ima Lovšin v Španskih borcih koncert pod naslovom Za spremembo.

Na volitvah za predsednika države kandidat SDS nastopi z enakim (nad)sloganom.

Los Chicros – Changes (David Bowie Cover)



Tags: Revisionisms

Danilo Türk vs. John Maus

Danilo Türk:
“Vidite, v življenju ima človek različne izkušnje z glasbo. Jaz sem velik del mladih let preživel z jazzom in seveda sem se v tistem času navadil na take ase jazza, kot je Duke Ellington, ali pa kot je Miles Davis, ali pa drugi veliki skladatelji in izvajalci jazza. Ampak potem sem ugotovil, da je moja hči, ki je odraščala v devetdesetih letih, spoznala techno glasbo, ki je nisem čisto nič razumel. To je bilo seveda popolnoma naravno, kajti, veste, mladi ljudje vedno iščejo nove načine glasbenega izražanja in zabave, in značilno je, da starejša generacija tega ne razume. To je tako, bi rekel, od antike naprej. Ampak me je stvar vseeno toliko zanimala, da sem se spustil v techno, poskušal razumeti razliko med vrstami house glasbe, kot je acid house, ali pa funky house, ali pa deep house. Razumeti razlike med to ritmično, ponavljajočo se glasbo na eni strani in neko malo bolj izrazno glasbo. In to me je pripeljalo do DJ Umeka.”

John Maus:
“Exploring instead of giving it a thumbs up or a thumbs down. Or saying it sounds like this and it sounds like that. Or talking about what micro-genre it is /…/ you engage it at the level of its details.
If there’s nothing worth thinking about there, don’t even talk about it, don’t even bother about it. Don’t give it a thumbs down, don’t even talk about it. Why you gonna talk about it? Cause the label paid you for advertisement space, so you’ve got to talk about it? No, no, no, only talk about it if there’s something interesting in there. And if you do talk about it, cause there’s something interesting, try to give voice to precisely what in it is not reducible to other things /…/
Tell me what’s strange about it, tell me what’s singular about it. Critically speaking, tell me what aspects of our situation’s untruth it gives voice to. You’d be hard-pressed to find that in a lot of blogs or journalism /…/
But to just the thumbs up or the thumbs down, it seems like a waste. I think we owe each other more than that. And if we don’t strive to do that for one another, then that’s when we’ve given over to inhumanity. Then that’s when we’ve become the bureaucrat, you know?”

John Maus – Head for the Country

Photo (of John Maus): Tear-n Tan



Tags: Revisionisms

Marina Yacht Club

Sodobni umetnik. Marina Abramović. Elegant. Bourgeois. Socialite. Establišment. Sodobni imetnik. Businessman aka businesswoman.

M(eet) the A(rtist). Meat the Artist. The Artist is (a) Present. Ne le bogorodica, Sin sam. Zarjuhana kot cerkev, ki je vsa v izropanem zlatu. Srečanje nanese solze prič, vernikov spektakla, in že imamo pasijon. Nekaj takega je lahko ikonoklastično le v pomenu popolnega razvrednotenja svetega. Ikonoklazem v imenu idolatrije.1 Zlato tele toči krokodilje solze.

Ves ta cinizem, ki naj bi bil komentar na cinizem. (Je cinizmu mogoče zaupati le, če živi na cesti? Mar tam še živi?)

T. i. radikalni body art, ki je že v samem izhodišču hlepel po intervjujih v ženskih tabloidih.

Louis Prima – Marina Marina

  1. Čas za branje Jean-Luca Mariona: Malik in razdalja ter God without Being []


Tags: Revisionisms

Hipster Žižek

Ariel Pink – Menopause Man




Aljoški

Smetnjak is really not making this up. (Not an invention, a discovery.)
The two pics of Aljoša Bagola were found here and here.
Now spot the difference.
Now feel the difference.
 But what are we actually seeing?
Is it an attempt to make his cleavage less/more revealing or
can one even call it a boob job?
If it’s the latter how can we know what was before and what after?
Was it a breast augmentation or a breast reduction?
It certainly is one mystery of a mystery.

James Blunt – You’re Beautiful



Tags: Revisionisms